Oliver! as presented by Londonderry Musical Society

LONDONDERRY MUSICAL SOCIETY “OLIVER” 

20th – 23rd March 2024

Adjudication Performance 23rd March. 

It was a long drive from Cork to Londonderry on the morning of the 23rd of March to reach the Millennium Theatre on time for this Company’s afternoon production of the Musical “Oliver.” Upon my arrival at the Millennium Theatre, a striking modern structure nestled in the heart of Londonderry, the atmosphere was electric. The anticipation was palpable as the audience gathered for the afternoon performance. I was graciously welcomed by Mr. Donald Hill, the esteemed President of the Society. The Front of House team were outstanding and comprised many professional, business-like, and organized individuals who ensured the audience's experience was as smooth and enjoyable as possible. The Theatre itself was a work of art, grand and refined, with impeccable acoustics and a sprawling stage. It was a privilege to be part of the audience in this majestic setting! 

The Director was Michael Poole. From the opening number, Mr. Poole gifted the audience with remarkable attention to detail, creativity, and a passion for the production that was evident in every aspect of the show. The fabulous props, unique sets, costumes, Orchestra, the creation of the world of Oliver Twist that was so good in detail, we were immediately drawn into this dark and sometimes sinister story. Mr. Poole had this ability to create what I immediately knew was going to be a polished production when the curtains opened, and we were greeted with the scene of the Dining Hall of a workhouse in the Midlands. The Set was incredible. The staging was sophisticated and well-planned, and the casting choices were as each performer brought unique energy and talent to their role. There were no weak links in these character roles either. Mr Poole's pacing of the show was perfectly timed, ensuring the show flowed effortlessly, keeping the audience engaged and entertained. There was so much emotion throughout that I had a tear in my eye for “Consider Yourself,” which surprised me. That’s how this production went. Continuously pulling at the heartstrings resulting from Mr. Poole's direction in the themes of love, loss, and life conveyed with a depth of feeling you could touch. Overall, Mr. Poole's direction on the "Oliver" musical was exceptional, making this an unforgettable afternoon for all who attended. And also one to remember. 

The Musical Director was Peter Doherty. From the moment the show opened, I could see Mr Doherty’s passion and talent for music. One of the most impressive aspects of the Musical Director's work was their ability to bring out the best in every performer. The music was expertly arranged and conducted, with a special mention to the children in every scene. As Conductor, Mr Doherty allowed the cast to shine in every number. "Food Glorious Food," was a particular highlight, with the energy and enthusiasm of the performers perfectly matched by Mr. Doherty's direction. "You've got to pick a pocket or two" was brilliant. Mr. Doherty’s guidance allowed the performers to quickly convey the song's humour, and mischief. "Where is Love" was also exceptional. His commitment to excellence and dedication to the music was evident in every aspect of the show. Undoubtedly, Mr Doherty’s contributions made this musical an unforgettable experience for everyone who attended. The story continued from beginning to end, as defined by Mr Doherty, and moved gracefully and with pace. Mr Doherty conducted the show and also was Chorus Master, and given the talent in the pit that this gentleman had to work with, it was no surprise that the Musical Direction was simply superb. 

The Choreographer was Vanessa Chapman. The first thing I noticed when the show opened was Ms. Chapman's ability to maximize the vast space on stage and its enormous width to create memorable and engaging dance numbers that were expertly executed. The performers moving seamlessly across the stage in intricate and exciting dance routines. “Who Will Buy” was the exceptional piece that stood out as simply fabulous. And if the younger members of this Society are reading this or someone is reading it to them, you, the children of Oliver Twist, were all simply amazing in all of your scenes but ESPECIALLY in the ones you all had to dance in. You took my breath away with how you danced and what such gorgeous performers you all are. Ms. Chapman's ability to teach and direct such a large group of you all was awe-inspiring, and your performances, children and adults, were a testament to Ms. Chapman's expertise and guidance. 

The Stage Manager Hannah Deane. The SET was incredible. It was like a vision from a movie, such as Harry Potter. The intricate attention to detail, the glory of its visual height and grandeur, used to create many scenes with the colour, lighting, sound, and props as incredible as the set. The sets were a standout feature of the show, with meticulous attention to detail and creativity evident in every aspect of their design, versatility, and functionality. It looked as if the set had been hand-drawn in pencil by a world-renowned artist. The sets were designed to allow for smooth transitions between scenes, and the various set pieces were expertly utilized to create a dynamic and engaging production. The set design for the workhouse scenes was outstanding, with every detail carefully crafted to create a bleak and oppressive atmosphere. The Set, from the opening note, transported the audience to different locations throughout Victorian London. The set design for the "Who Will Buy" number was awe-inspiring, with the bouquets, the other levels, the colours, creating a vibrant and lively atmosphere. The set design for the final scene, which had stunning and intricate architectural details, was also a highlight of the show. The sets were instrumental in emotionally impacting the audience. Simply, the sets were truly exceptional. The commitment to excellence and dedication to creating a visually stunning production was everywhere in these Sets. I wish I had a photo I could show the reader how brilliant this set was, as I may not do it justice. It was so incredibly magnificent. The sets played a significant role in making this musical an unforgettable experience for all who attended and will stay in my mind for a long time. 

The lighting design was a standout feature of the show, with its ability to set the mood, create atmosphere, and enhance the overall visual experience. What particularly impressed me was the lighting design's capacity to transport the audience to different times and places. In the workhouse scenes, for instance, the lighting created a bleak and oppressive atmosphere that perfectly complemented the set design. The use of a dimmer, more excellent blue light effectively conveyed the cold and dreary conditions of the workhouse. The gorgeous lighting design also played a crucial role in building drama and tension. In the "Reviewing the Situation" number, the intense and focused spotlight added a sense of unease that perfectly aligned with the character's inner turmoil. The reds here in the lighting were splendiferous and instrumental in emotionally impacting the audience. The commitment to excellence and dedication to creating a visually stunning production was evident in every aspect of the show. 

The sound production in the show was impressive, with clear and balanced audio throughout most of the performance. The sound engineers did an excellent job of ensuring that the music, dialogue, and sound effects were audible and well-mixed. 

There were a few moments in Act 1 where the sound of the principals could have been more robust and I would have preferred the mics to be more assertive on some of the characters, but this was only a tiny element of an overall fabulous sound in this production. A good team with a good balance and many radio mics took this show to a higher level. 

The costumes were gorgeous. It is a true masterpiece of design, with each character's outfit carefully crafted to reflect their personality and role in the story. Oliver's costume was simple yet effective: a tattered shirt, shorts, and a cap. The costume perfectly captured the character's humble and impoverished background and helped to create a sense of empathy and connection with the audience. Fagin's costume, for me personally, was a true highlight of the show, with its eclectic mix of fabrics, patterns, and accessories. The coat was the standout feature of the costume, with its bold colours and intricate details perfectly capturing the character's flamboyant and eccentric personality. I loved it! I could go on individually, such was the detail. Attention to detail in the chorus costumes was awe-inspiring. Each outfit featured unique patterns, fabrics, and accessories that helped create a sense of depth and variety in the ensemble. The use of colours was also good, with different hues and shades helping to differentiate the characters and create a sense of contrast and balance on stage. Overall, the costume design in Oliver the Musical was a true highlight of the production. 

The makeup and hair design in Oliver Twist the Musical was an actual work of art. The overall effect was visually stunning and engaging, with the makeup and hair team's efforts helping to bring the characters and setting to life in a truly remarkable way. The dedication to creating a visually stunning and authentic show was evident in every detail. 

The props, again, were a part of the creativity and ingenuity of the production team. The food props in the workhouse and on the streets of London were incredibly effective in creating a sense of hunger and desperation. Props such as gruel bowls and bread loaves helped convey Victorian England's bleak and oppressive conditions of poverty. The pocket watch used by Mr. Bumble was a clever and effective prop that helped to convey the character's authority and power.. The jewellery as a prop was particularly effective in creating a sense of wealth and status; worn by upper-class characters, such as Mrs. Bedwin and Mr. Brownlow and conveyed their privileged position in society and added a touch of elegance and glamour to the show. The books given to Oliver were clever, effective, and so authentic. 

David Langan played Oliver Twist. I loved this young man in this role. Mr. Langan's performance was excellent. From his first appearance on stage, Mr. Langan captured the audience's attention with his natural and effortless acting ability and lovely singing voice. Mr Langan looked so innocent. His portrayal of the young orphan was heart-wrenching and inspiring, and he brought a sense of authenticity and realism to the remarkable role. His beautiful and clear tone suited the show's musical style, and his delivery of songs such as "Where is Love?" and "Who Will Buy?" was powerful and moving. Mr Langan had lovely emotions and subtle nuances in the character's personality, bringing a sense of depth to the role that was truly remarkable for someone so young. A highlight of the production. His natural talent, dedication, and voice were evident in every aspect of his performance, and he brought a sense of authenticity and realism to the part. Very well done. 

Mr. Kieran Connor played the part of Fagin. One of the most impressive aspects of Mr. Connor's performance was his ability to bring out the humour and wit in Fagin's character. Kieran's comedic timing and delivery were impeccable, bringing joy and light-heartedness to the show. At the same time, Mr O’Connor also conveyed Fagin's darker side, displaying a range of emotions that made the character all the more complex and exciting. Mr Connors's singing was excellent, and he brought a sense of energy and enthusiasm to every number in which he appeared. An actor playing the part of an unforgettable character playing a pivotal role in a successful production is precisely what Mr Connor was. 

Francesca Kelly played the part of The Artful Dodger. Miss Kelly brought a lovely impish energy and likeability to the role. I loved your ability to capture the mischievous and playful spirit of the Artful Dodger. With a gorgeous, captivating stage presence, Ms. Kelly's lovely interactions with other characters worked well. A powerful singing voice, her performance of "Consider Yourself" was particularly noteworthy. She captured the infectious spirit of the song and left the audience uplifted and joyful. Ms Kelly had a charming stage presence and charisma; her enthusiasm and energy were contagious. She brought a gorgeous sense of fun and excitement to every scene she appeared. You were a lovely, Artful Dodger. I loved watching you in this role. Well done. 

Matthew Irwin played the part of Bill Sikes—a dark, angry, and disturbing character. Mr Irwin captured the violence, fear, and desperation that defined Sikes' existence. Mr. Irwin's stage presence was captivating, and his interactions with the other performers were intense and engaging. Mr Irwin's singing was strong, and he gave an unforgettable experience for all who attended. Great character and not an easy role to play. 

Sophie Doran played Nancy. Ms Doran played a lovely role tenderly. I watched in awe as you tackled all the conflicting emotions that defined Nancy's character. Your fear, love, and desperation toward "her Bill". Her portrayal of the character was heart-breaking. You looked great, and your interaction with the other cast, especially with Fagin, Oliver, and Dodger, was attentive and engaging. Stage presence was captivating, and her interactions with the other performers were engaging and dynamic. Your solo “As Long As He Needs Me” brought a lump to my throat for its emotion and the beauty of your vocals. 

Holly Deane played Bet. Holly's portrayal of Bet is filled with life, energy, and a genuine sense of fun, which is evident in every scene. One of the most impressive attributes of your character, Ms. Deane, was your marvellous stage presence. You had so much enthusiasm and energy, and your acting was excellent. Your visible pain when you saw Nancy dead at the hands of Bill Sikes brought a lump to my throat. Your pain was so real. The rawness and vulnerability here showed your devastation at the loss of Nancy, and your sadness was palpable. An excellent, charming role, Ms Deane. You made it your own, and I thoroughly enjoyed watching you perform so well. 

Ricky Kyle played Mr. Bumble. Despite difficulty hearing some lines, Mr. Bumble's performance was still excellent. Mr. Kyle brought humour, wit, and energy to the role, with impressive comedic timing and physicality. Your skill as an incredible performer made your appearance memorable with your interactions with Widow Corney, Mr Brownlow, and Oliver. You played a great role with total aplomb and success, with a fabulous costume and a lovely stage presence. 

Susan Wilson played Widow Corney. Ms Wilson's sharp wit added so much to this character. Lovely talent, a stunning performance, and a gorgeous costume again. You have excellent diction and a good rapport between yourself and Mr Bumble; your impatience drew a few smiles in Act 1. Well played Ms Wilson. Great role. 

Niall McClean played the part of Mr. Brownlow. His story is both heart-breaking and heart-warming. His discovery of Oliver and his decision to give the boy a new life were pivotal in the show. Mr. Brownlow's kindness and compassion towards Oliver made him a standout character, and the audience couldn't help but feel moved by his generosity. Mr. McClean's journey from a lonely and grieving man to a loving and doting grandfather was a testament to the power of love and family and of course Mr McClean’s great acting ability. 

Simon Quigg played the part of Mr Sowerberry, and Christine Baggley played Mrs Sowerberry. Two dark characters brought depth and darkness to their roles, portraying the dark and twisted personalities of the undertakers with skill and conviction. 

The scene in which Mr. Sowerberry was drunk was exceptionally well-acted, with the actor showcasing a range of emotions and behaviours convincingly. Similarly, Mrs. Sowerberry's portrayal of a woman who gives scraps of food to Oliver was a standout moment, showcasing the character's cruel and uncaring nature. 

Orfhlaith McGee played Charlotte's part. This was a small but lovely cameo role for Ms McGee as the servant for the Sowerberry’s. Totally in love with Noah Claypole, an assistant in their shop, and is portrayed as willing to do anything for Noah. It's a lovely part well played, and Ms McGee moved gracefully and quickly about the stage. 

Conan Hamilton played Noah Claypole. Mr Hamilton played this role very well, as an overgrown, cowardly bully who treats Oliver badly and horridly. Mr Hamilton acted very convincingly and had a lovely stage presence. Very well acted, Mr Hamilton. Significant role and connection between yourself and Ms Mc Gee (Charlotte), good connection, and a stunning stage presence despite being quite a nasty character. 

Emer McCaffrey played the part of Mrs Bedwin. A lovely maternal character who adores Oliver when he arrives at Mr. Brownlow's house. Ms McCaffrey played a small but very significant role, beautifully emphasizing the maternal side of Oliver's life, which was so missing and that he never had. A gorgeous part played so beautifully. 

Brendan Brady played the part of Dr Grimwig. A no-nonsense, grim, unsympathetic, and unfeeling towards Oliver's illness and plight The very business-like, smartly dressed Mr Brady played this part well and had good rapport with Mr. Brownlow. 

Judith O’Hare played the part of Old Sally. Ms O’Hare demonstrated excellent comedic timing and a genuine understanding of the character's quirks and idiosyncrasies. Her performance was memorable and she acted very well – a key to the story played with great empathy. 

Ben Langan played Charley Bates. Charley Bates was a pivotal character in the show, beautifully acted and portrayed by Mr Langan. The character's mischievous personality and quick wit were engaging, and you played this part very well. 

The Chorus was exceptional. Their singing was expertly arranged and executed, allowing the performers to shine in every number. The Chorus's work on "Food Glorious Food," "I'd Do Anything," "Who Will Buy," and "Consider Yourself" was outstanding. This was a fabulous chorus in every way, and vocally, they were just enchanting. It was so strong and made a magnificent sound. You were excellent, and I adored every Chorus number each of you was involved in, and there were way too many to mention. Only to say – you were a dream Chorus. And you excelled as a group in the overall success of the show. 

As an adjudicator, it has been an absolute pleasure to witness the outstanding production of Oliver. Looking to the future, I do not doubt that the Londonderry Musical Society will continue to thrive and provide exceptional performances. By embracing diversity and inclusivity, striving for top-notch sound and lighting, choreography, and exploring new shows, this Society can continue to deliver unforgettable productions. Once again, congratulations to the Londonderry Musical Society on an outstanding performance of "Oliver," I look forward to seeing what the future holds for this talented group of individuals.

CAROLINE DALY JONES

ADJUDICATOR SULLIVAN 2023 / 2024

Photographers - John Purvis And Martin McKeown