Guys and Dolls as presented by Lisnagarvey Operatic & Dramatic Society

LISNAGARVEY OPERATIC AND DRAMATIC SOCIETY “GUYS AND DOLLS”   

ISLAND HALL LAGAN VALLEY ISLAND LISBURN  

16TH April 2024 / 20th April 2024 

ADJUDICATION PERFORMANCE 20TH APRIL 

As I arrived in Lisburn for my second show of the day on the 20th of April, I had the pleasure of experiencing the Island Hall Lagan Valley Theatre, located in the heart of Lisburn. The venue, with its stunning river flowing alongside it, which the patrons must cross a footbridge when they have parked their cars, provided a beautiful backdrop for the theatre. The interior of the theatre, with its comfortable seating and excellent acoustics, was a perfect setting for the performance.  

The front-of-house team was simply fantastic and so welcoming. And made this such an enjoyable experience from start to finish. The front-of-house team was particularly notable for their efficient and organised seating arrangements, ensuring the audience was seated comfortably and promptly. 

The director, Wilfie Pyper, showcased impressive vision and creativity in bringing this production to life. His blocking and staging were well thought-out and executed, resulting in a cohesive and engaging story. Mr Pyper also made excellent use of the space and the set, creating a dynamic environment that enhanced the production hugely. Additionally, his attention to detail was evident in the character portrayals and the seamless transitions between scenes. Overall, the director's leadership and vision, combined with the collaborative effort of the entire team, were essential in making this production successful.  

The Musical Director, Keith Pyper, demonstrated exceptional musicianship and skill in leading the cast and orchestra. His guidance was instrumental in the outstanding vocal performances, with each cast member delivering powerful and passionate renditions of the songs. Mr Pyper's role in ensuring that the orchestra was well-balanced and in sync with the performers, such as during the lively 'Sit Down, You're Rockin' the Boat' number, was crucial to the cohesive and polished musical experience. Additionally, his attention to detail in dynamics and tempo changes, such as the gradual build-up in 'Luck Be a Lady ', was executed well.  

The Choreographer, Jordan Rosborough, created breathtaking and creative dance sequences that added to the energy and excitement of the production. His choreography was well-suited to the music and story, such as the lively dance number during the Havana scene, and the dancers executed the movements with precision and grace. Mr Rosborough's incorporation of various dance styles and techniques, such as the tap dance sequence during 'Luck Be a Lady ', kept the audience engaged and entertained throughout the show. Additionally, his attention to detail in the dancers' facial expressions and body language, such as the longing looks exchanged during 'Adelaide's Lament ', contributed to the authenticity of the performance. 

The Stage Manager was Andrew Bell.  The sets for the production of "Guys and Dolls" were nothing short of impressive. The production team and stage manager, Mr Bell, did an outstanding job of creating a dynamic and visually appealing set that transported the audience to the bustling streets of New York City. The attention to detail was evident in the various sets, from the bustling city streets to the interior of the Save-a-Soul Mission, which I loved. The set transitions were seamless, and props and set pieces were well thought-out and added to the overall authenticity of the production. 

The sound throughout was expertly executed, with each cast member's voice crystal clear and perfectly audible. The lighting for this production was a critical component of the overall output. The lighting design expertly set the mood and tone for each scene, from the bright and bustling city streets to the dimly lit interior of the Save-a-Soul Mission house. 

These costumes showed great attention to detail in creating authentic and visually striking outfits that fit each character's personality and style. The costumes ranged from the male leads' elegant and sophisticated suits to the female characters' colourful and vibrant dresses. The outfits were also well-tailored and fitted the actors perfectly, contributing to the authenticity of the production. The makeup and hair for the production was well done and contributed significantly to the overall authenticity of the production. 

The props team created a wide range of props that fit each scene's requirements, from the dice used in the craps game to the various objects used in the Save-a-Soul Mission. The attention to detail was evident in the props; they were well-maintained and handled by the actors with care, adding to the overall professional presentation of the production. 

Joshua Martin, who played the part of Sky Masterson, demonstrated a remarkable dedication to his role. Mr Martin portrayed this part as the charming and sophisticated gambler with precision and charisma, making his character stand out as the ultimate smooth-talker. His rendition of 'Luck Be a Lady' was a showstopper, leaving the audience in awe of his vocal range and stage presence. Overall, the portrayal of Sky Masterson was very well cast and acted, making the character one of the highlights of the musical. 

Hannah Conlon played Sister Sarah Brown. Ms. Conlon played the part of the devout missionary determined to save the souls of sinners very well. Her character was played with a perfect balance of strictness and vulnerability, and I found her a relatable and endearing character. Her performance of "If I Were a Bell" is particularly noteworthy, showcasing her powerful vocals and lovely stage presence.  

The part Sean Harkin played Nathan Detroit. He played this part with a perfect mix of bumbling charm and quick wit, making him a crowd favourite. His performance of "Sue Me" was particularly entertaining, showcasing his comedic timing and chemistry with Miss Adelaide. Overall, the portrayal of Nathan Detroit by Mr Harkin was a delightfully fun performance, and I enjoyed him immensely in this role.  

Caoimhe Ryan played the part of Miss Adelaide. Acting as a nightclub performer desperate to marry her longtime fiancé, Nathan Detroit, Ms. Ryan’s character was played with a perfect blend of sassiness and vulnerability, making her a relatable and endearing character.  Her performance of 'Adelaide's Lament' was particularly noteworthy, showcasing her impressive vocals and comedic timing. However, there were so many gorgeous moments in this young lady's role as Ms Adelaide during the emotional scenes. Overall, her performance was entertaining and impactful, and she looked excellent, with a lovely stage presence and easy movement.  

Aodhan Halfpenny played the part of Nicely Nicely Johnson. I really warmed to this character and his portrayal of a lovable gambler. Mr Halpenny made this character his own with a perfect mix of humour and heart, making him an audience favourite. His performance of 'Sit Down, You're Rockin' the Boat' was particularly entertaining. It showcased his powerful vocals and impressive dance skills, which brought the house down. The audience was clearly captivated by his performance, with many clapping and cheering at the end of the number.  

Jack Cranston played Benny Southstreet, Nathan Detroit's sidekick. He also played the part very well, acting beautifully with a perfect mix of wit and charm, making him a memorable character. His performance was smooth and confident, with a great stage presence, which was particularly noteworthy. The chemistry between Benny and Nathan was palpable, adding depth to their scenes together. Great role, Mr. Cranston.  

The part of Rusty Charlie was played by Eoin Keenan. What a fantastic stage presence this young man had.  His performance of 'Fugue for Tinhorns' was particularly entertaining, showcasing his impressive vocals and comedic timing. The diction here was eloquent, and Mr Keenan was a tremendous standout character. His physicality on stage, such as his energetic dance moves and expressive gestures, added to the liveliness of the performance.  

Simon Pyper played Big Julie, another gangster. He played his character with a perfect mix of intensity and humour, and his on-stage presence showcased his impressive vocals and comedic timing. This gentleman had a wonderful stage presence, was well cast, was very relaxed on stage, and looked great. Well done, Mr Pyper, on a lovely role that you played very well.  

Samuel Milford played the part of Angie the Ox. Mr Milford’s portrayal of the brutal and silent gangster was impressive. He effectively conveyed his character’s emotions through his body language and facial expressions, which was quite a feat considering that his character had no speaking lines. Mr Milford’s physical presence on stage was also notable, effectively embodying the intimidating figure of a gangster. Overall, his performance as Angie the Ox was entertaining and impactful. Mr Milford looked excellent, with a lovely stage presence and easy movement.  

Tony Young played the part of Arvide Abernathy, the kind-hearted grandfather figure. Mr Young's performance was touching and heartfelt, and I loved what he brought to this character on stage. He portrayed his character's journey with sincerity and warmth, making the audience feel strongly connected to him. His character's transformation from a lonely old man to a loving grandfather was beautifully portrayed.  

Stephanie McMaster played the part of General Matilda Cartwright. Ms Mc Masters's performance as the strict and authoritative leader of the Save-a-Soul Mission was commanding and powerful. 

She brought a sense of gravitas to the role, effectively conveying her character's no-nonsense attitude and unwavering dedication to her cause. A significant part that suited this young lady very much. Well done, Ms McMaster.  

Wendy Pyper played Agatha. Her charming and endearing portrayal of the naïve and lovestruck young woman effectively conveyed her character's innocence and vulnerability, making her a sympathetic figure that the audience could root for. Ms. Pyper's vocal performance was also noteworthy, and throughout the performance, she showcased her sweet and delicate voice. Overall, her portrayal of Agatha was a lovely addition to the production. 

Venessa Rosas's performance played the part of Calvin as the slick and sleazy nightclub owner was entertaining and engaging. He effectively portrayed his character's smooth-talking and manipulative nature, making this a compelling antagonist.  Venessa Rosas's vocal performance was impressive,  with excellent diction and good casting – a fantastic role.  

 Beth Conlon played Martha with grace and charm. She sang her parts beautifully and showcased a good stage presence, but more depth in her portrayal of Martha would have elevated her performance. Overall, Beth Conlon's portrayal of Martha was good, but she could have brought more to the character with a bit more work. 

Stuart Archer played the role of Harry the Horse with good energy and enthusiasm. He brought a lot of humour to the character, and his comedic timing was on point. However, there were moments when his delivery felt a bit forced, and his physicality could improve. Overall, Stuart Archer’s portrayal of Harry the Horse was enjoyable. 

Lowry Hodgett played the role of Lt. Brannigan with a good level of authority and command. He brought a sense of seriousness to the character, and his delivery was clear and concise. Lowry Hodgett's portrayal of Lt. Brannigan was good. I would have preferred if his vocal was a little stronger in some parts of his delivery, but overall, this was a good performance.  

Jane McKibbin played Mimi. What a gorgeous character! Ms. Gibbin gave a standout performance, bringing charisma and energy to the role. In this role, Ms. McKibbin showcased her strong vocals and dynamic stage presence.  

Megan McKee played Allison, and her performance proved that there is no such thing as a small role. Ms McKee brought a lovely sense of humour and playfulness to the role. Her chemistry with the other characters was notable, adding depth to their scenes together. Overall, the portrayal was solid, and Ms McKee played a lovely role here.  

Donelle Reynolds played Ferguson. Again, this was another memorable performance. He brought a sense of humour and charm to the role. His chemistry with the other gamblers was notable, adding depth to their scenes.  

Nikita White played the part of Vernon, and although a minor character in "Guys and Dolls", this was a strong actor who gave a solid and confident performance, capturing the essence of the character. Superb costume 

The chorus in this gorgeous show played a massive role in bringing the production to life. This Chorus were a well-rehearsed and cohesive group, with each member bringing their unique voice and energy to the stage. The choreography was executed with precision and grace, adding to the overall power and excitement of the show. The vocals were also impressive, with the chorus delivering powerful harmonies and passionate performances

I want to praise the production team and the company for a show with great direction, outstanding musical performances, and super choreography. The cast and crew received high commendations for their hard work and dedication. There were a few areas for improvement, particularly in vocal projection and diction. However, the overall production was genuinely exceptional and captivated and entertained the audience from start to finish. And anyone in any capacity involved in the output should be immensely proud of their achievements. 

CAROLINE DALY JONES 

SULLIVAN ADJUDICATOR 2023 / 2024